FLOG
The fine mess below includes selected topics that roughly one billion bloggers have already explored, explicated, reductio ad absurded, infused with toxic cant, bombasticized upon, and poured over in ever finer granular detail until not even a quark escapes analysis. 

That's when we enter the fray:  redundantly and pointlessly adding our own take, further clogging the blogosphere flogosphere, and continuing to flog the topic until it resembles the proverbial dead horse. 
We are currently out looking for additional worthy steeds.
You're Welcome.
As always, just click on the images to navigate.

THE WASHINGTON REDSKINS:
OUR PROPOSAL FOR
A NEW NAME

SO POETRY IS OBSOLETE IS IT? 
WELL, WE'LL FIX THAT WAGON!

BOOBY TRAP

IN PRAISE OF AMBIVALENCE

Hint:  We come down four-square in

     support of ambivalence

    (SYRIOUSLY)

IMPORTANT SECURITY ALERT!
As you have no doubt heard, the National Security Agency (NSA) has instituted a number of programs designed to gobble up billions of emails and other forms of digital communications sent by U.S. citizens daily.
We want to assure you that this site has been so cleverly encrypted that
even they will not be able to ascertain that you have visited us. *
And that's a good thing because some of what you will be reading on this site is satirically critical of the current political scene. You can never be too careful! 
For more on what the NSA is up to, click on the agency seal.
  * You can take assertion to the bank because, as you know, we have never exaggerated anything!
You might do well, however, to deposit it in the Left Bank of the Mississippi.

The Washington Post's
Alexandra Petri wrote that "poetry is obsolete."
Click on the Dead Poet's Society poster to read our poetic response the Post  printed . . . and here to read our prosaic response.

Here's a wine label and essay appropriate for the occasion mentioned above. 
The wine pairs well with booby traps, but in an ambivalent sort of way.
It lingers long upon the tongue with a distinctive, bitter aftertaste.
Try some today.

A Satire of the Church,
Theology, and American Culture 
Through the Lens of  Progressive Christianity

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